Drills

Drills look to other people like sequences of notes. To me, they are sequences of motions. I create them out of music I’m working on.

Drills are short - less than 16 notes. They contain only one thing that requires my attention. That one thing is always a specific sequence of motions.

The motion is the point of the drill – not the notes. The notes can have musical meaning, or not. If they do, I tend to ignore it. Drills are about motion.

Once I select a drill, I play it starting on the low E string four times. Then up a fret, four times, and on up twelve frets. Over one string, four times, down a fret, and repeat until the fretboard is covered. Using this pattern saves me from expending any mental energy counting. It's also a habit and a discipline. (It’s more powerful than it sounds.)

I use a metronome. A metronome has three especially useful speeds: almost too slow, just right, and almost too fast. The same drill can have three different functions, depending on which speed I choose:

  • A drill played almost too slow lets me analyze and understand the motions, and hunt for the right ones.

  • The same drill played almost too fast highlights opportunities for improvement. (Other people call these “mistakes.”)

  • The same drill played just right helps me burn in motions I think I've already learned. There are usually opportunities for improvement here, too.

An example: I'll use the first five notes of a major scale. I'll choose a fingering that has me change strings with two consecutive downstrokes twice within the drill. That's the motion: down-change-down. That’s what I’m paying attention to, as exclusively as I can. This drill works starting on the E, A, D and G strings. Twelve frets x four strings x two string changes = 96 reps of down-change-down. Let's say 48 BPM feels just right, one drill per beat. That takes two minutes. 10 minutes is 480 reps. 10 minutes a day, every day for a week is 3,360 reps.

Remember: this drill is not about the notes. This drill is about down-change-down. And it’s not about getting through the pattern once in two minutes. It’s about one good rep 96 times. The pattern is only “how.” Down-change-down is “why.”

There's a lot more, but this is where it all starts.


Tom Heany

I’ve been practicing for 60 years. This is what I’ve learned.

http://www.aboutpracticing.com
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